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  1. Home
  2. PRODUCTS
  3. AV
  4. LIGHTING-CONTROL-CABLE
  5. DIGITAL-COMMUNICATION

Lighting Control Cable AES DMX

Summary: Lighting Control Cable AES DMX

ProAV Cabling Built for Demanding Commercial Installations
When you specify pro av cable from Windy City Wire, you get low-voltage signal cabling designed for reliable performance in enterprise AV, broadcast, hospitality, education, and other commercial environments. Our U.S.-made SmartWire brand focuses on clean signal integrity, installation efficiency, and consistent quality across projects—from digital audio and control to room automation and lighting control.

What to Expect from SmartWire in ProAV
SmartWire is the low-voltage cable line we manufacture in the United States. It is built for consistent impedance, low capacitance, and shielding that help protect mission-critical AV signals. For integrators, these characteristics translate into dependable performance for applications like AES/EBU, RS-485/RS-422 control, and DMX512 lighting control, as well as general-purpose balanced audio and AV control infrastructure. Standard put-ups are 1000 FT for predictable take-offs and fewer changeovers in the field.

Installation Advantages
To reduce pull tension and help speed rough-in, SmartWire cables include SmartWire Glide lubrication on the jacket. This factory-applied lubrication reduces friction during cable pulling by up to 70%, helping crews navigate long conduit runs and tight spaces with fewer snags and re-pulls. Combined with low-capacitance designs and consistent 120-ohm options where specified, SmartWire helps maintain signal quality over longer distances common in commercial AV.

  • Typical ProAV uses: AES/EBU digital audio transport, RS-485/RS-422 device control, DMX512 lighting control, balanced line-level audio, intercom and tally, and general AV control backbones.
  • Shielding options: Shielded constructions, including electrostatic pair shield (EPS), for added noise immunity in high-interference environments.
  • Fire ratings: Plenum (CMP/CL3P) and non-plenum (CMR) selections to meet code requirements across spaces.
  • Low-capacitance designs: Helps preserve digital signal edge rates and analog clarity over distance.
  • Impedance control: 120-ohm options available for differential digital audio/control protocols.
  • Identification: Pair color codes such as Black/Red, White-Blue/Blue, and White-Orange/Orange support clear termination and serviceability.
  • Color management: Standard black jackets are available, and SmartWire can be made with custom jacket and stripe colors to align with your company standards or system labeling practices.

Where This Fits in Your AV Ecosystem
ProAV projects often combine balanced pairs for control and audio with other media types. Windy City Wire’s broader portfolio can complement your system backbone with related options—such as digital coax cable for RF and SDI, digital antenna wire and cable for distributed TV, and automation and lighting cable for building control—so your team can source matched, low-voltage solutions that install consistently across sites. If your scope includes transport or control runs described as digital media cable wire, we can help you align the correct construction with the signal requirements and code environment.

Available Constructions
Below are the ProAV twisted-pair constructions commonly specified for digital audio and control. All are low-voltage and offered in 1000 FT lengths.

  • 24 AWG 1 Pair Tinned Copper Shielded Plenum Low-Cap CMP: A balanced 120-ohm pair for AES/EBU, RS-485/RS-422, and DMX512 in air-handling spaces. The low-capacitance design and shielding support long runs and noise-sensitive installations.
  • 24 AWG 2 Pair Tinned Copper Shielded Plenum Low-Cap CL3P/CMP: Two balanced, shielded pairs for combined control and audio channels within a single cable, suitable for plenum spaces. Tested to UL Subject 444 for commercial installations.
  • 24 AWG 1 Pair Tinned Copper Shielded Non-Plenum Low-Cap CMR: A shielded control/audio pair for riser and general-purpose areas where plenum rating is not required. Low capacitance aids signal integrity over extended distances.

How Windy City Wire Adds Value to ProAV Projects

  • Consistency across jobs: U.S.-made SmartWire construction and quality control help ensure the same pull, strip, and termination experience from site to site.
  • Code-ready choices: Plenum and riser options reduce submittal friction and help you match cable to space while maintaining consistent performance characteristics.
  • Install efficiency: SmartWire Glide lubrication aids faster pulls with fewer re-works, supporting tighter schedules and complex pathways.
  • Signal reliability: Shielding and low-capacitance designs help reduce noise and preserve digital signal integrity in electrically noisy venues.
  • Standardized identification: Clear pair color codes and the ability to customize jacket and stripe colors support streamlined commissioning and service.
  • Broad AV portfolio: From control and audio pairs to digital coax cable and related low-voltage solutions, Windy City Wire helps you build a complete, coordinated ProAV infrastructure.

Next Steps
Provide your signal type, environment (plenum or riser), and channel count, and our team will match the appropriate SmartWire construction. If you need color standardization or help coordinating with related categories—such as digital media cable wire or automation and lighting cable—we can align a bill of materials that keeps your project on spec and on schedule.

Solutions: Lighting Control Cable AES DMX

Lighting Control Cable for AES/EBU and DMX512 Applications

Windy City Wire supplies low-voltage cabling engineered for professional audio-visual lighting control. Our AES/DMX lighting control cable supports DMX512 and RDM device communication along with AES/EBU digital audio transport in demanding commercial and industrial environments. With 120-ohm impedance, low-capacitance construction, and shielded tinned copper conductors, these cables help maintain signal integrity across busy facilities where electrical noise and long pathways are common. Plenum (CMP/CL3P) and non-plenum (CMR) options simplify code compliance from equipment rooms to ceilings, risers, and performance spaces.

Where AES/DMX Lighting Control Cable Fits in Pro AV Systems

  • Entertainment and stage lighting: DMX control runs from lighting consoles to nodes, gateways, dimmer racks, LED drivers, moving fixtures, architectural houselights, and effects devices. Shielded, low-cap pairs reduce interference from motors, SCR dimmers, and high-voltage lines.
  • Architectural lighting control: Reliable connectivity for lobbies, atriums, exhibit spaces, restaurants, and hotel ballrooms where DMX and RDM are used to manage scenes, color temperature, and dynamic effects.
  • Digital audio over AES/EBU: The same 120-ohm balanced topology supports AES digital audio links between consoles, DSPs, stageboxes, and recorders when a precise impedance match is required.
  • Show control and integrated systems: Connect lighting processors with media servers, timecode generators, and control processors for synchronized experiences across lighting, audio, and visual elements.

Industries and Facilities That Benefit

  • Corporate and conference centers: Boardrooms, divisible ballrooms, and multi-use venues requiring dependable scenes and presets for events, livestreams, and town halls.
  • Hospitality and casinos: Dynamic architectural lighting for gaming floors, bars, clubs, restaurants, and exterior façades.
  • Theaters and performing arts: Touring-ready durability and noise immunity for auditoriums, black box theaters, and concert halls.
  • Houses of worship: Quiet, low-cap signal paths for FOH-to-stage lighting control and AES/EBU audio distribution.
  • Stadiums and arenas: Coordinated control for bowl lighting, concourses, suites, and broadcast areas.
  • Education and training facilities: Lecture halls, theaters, and experiential labs with centralized AV control.
  • Museums and themed attractions: Reliable DMX backbones for immersive exhibits and synchronized show elements.
  • Broadcast and production: Studios and control rooms using AES/EBU for digital audio and DMX for studio lighting grids.
  • Retail and mixed-use: Feature lighting and seasonal scenes coordinated with digital signage and background audio.
  • Healthcare, government, transportation: Public spaces, command centers, and terminals where code-driven pathways and robust shielding are essential.

Why Spec Windy City Wire for AES/DMX

  • Signal integrity by design: 120-ohm impedance and low-capacitance construction help preserve waveform shape and timing for DMX512 and AES/EBU across long pathways and through patch points.
  • Shielded construction: Shielded and EPS options enhance rejection of EMI/RFI from elevators, motors, dimming systems, and power distribution.
  • Tinned copper conductors: Corrosion resistance and clean terminations in equipment racks, catwalks, and damp or mobile environments.
  • Code-compliant pathways: UL Listed plenum (CMP/CL3P) and non-plenum (CMR) selections to match ceiling returns, risers, and equipment spaces.
  • Right pair count for the job: Choose 1-pair for single-universe DMX or point-to-point AES; select 2-pair when a spare pair or combined control and audio are needed in the same jacket (consistent with project standards and best practices).
  • Clear identification: Distinct pair color codes, including Black/Red, White-Blue/Blue, and White-Orange/Orange, streamline installation, labeling, and troubleshooting.
  • Discreet in-view runs: A low-profile black jacket blends into stages, grids, and dark ceiling spaces.

Common Integration Scenarios

  • Lighting networks with gateways and nodes: Use 1-pair runs to DMX nodes and fixtures; deploy 2-pair where redundancy or an additional circuit is required.
  • Mixed-use spaces: Pair DMX architectural lighting with presentation AV so presets, shades, and scenes track with agenda flow.
  • Building management tie-ins: When lighting is part of broader automation, specify as an automation and lighting cable to align with control system requirements and local codes.
  • Studio and stage production: Combine AES/EBU digital audio and DMX lighting control for synchronized shows with minimal noise coupling between systems.

Design and Installation Considerations

  • Maintain 120-ohm media from endpoint to endpoint, including connectors and panels, for both DMX and AES/EBU circuits.
  • Separate control cabling from high-voltage and high-current lines; leverage shielded constructions for added noise immunity.
  • Follow best practices for DMX topology and termination; consult project specifications for device counts, splits, and grounding.
  • Use plenum or riser ratings appropriate to the pathway and local code requirements.

How This Category Supports Broader AV Infrastructure

In complex venues, lighting control is part of a larger ecosystem that can include audio transport, paging, intercom, control processing, video distribution, and RF systems. Our AES/DMX lighting solutions complement other backbone media—such as pro av cable for signal distribution and control—so consultants and integrators can design consistent, code-compliant pathways. In facilities that also carry RF, coordinate routes with digital coax cable or digital antenna wire and cable while maintaining proper separation and grounding to minimize interference across systems. For media production spaces, specifying the correct digital media cable wire for audio, video, and control alongside AES/DMX lighting pairs helps ensure predictable performance end to end.

Choosing the Right Construction

  • Plenum (CMP/CL3P): For air-handling spaces in commercial buildings, especially above ceilings in conference centers, hospitality venues, and open office environments.
  • Non-plenum (CMR): For risers and general pathway use where plenum is not required.
  • 1-Pair vs. 2-Pair: Use 1-pair for single-circuit runs; choose 2-pair for dual runs, spares, or combined AES/DMX designs per project standards.
  • Shielded and EPS options: Select the shielding level that matches the site’s noise profile and device density.

Partner With Windy City Wire

As a trusted supplier, we support contractors, integrators, and consultants with reliable, code-appropriate AES/DMX lighting control cabling that installs cleanly and performs consistently. Speak with our team to align part numbers to your specification, confirm plenum or riser needs, and match pair counts and color codes to your documentation and testing workflows.

Frequently Asked Questions: Lighting Control Cable AES DMX

  • What AWG conductors are available with this SmartWire Lighting Control Cable AES DMX cable?

    These SmartWire AES/DMX lighting control cables are available in 24 AWG tinned copper, offered in 1-pair and 2-pair shielded constructions with plenum (CMP/CL3P) and non-plenum (CMR) options.

  • What other colors is this SmartWire Lighting Control Cable AES DMX cable available in?

    Conductor color code options include Black/Red, White-Blue/Blue, and White-Orange/Orange.

  • Is this SmartWire Lighting Control Cable AES DMX cable made with solid or stranded copper conductors?

    The conductors are stranded, tinned copper for flexibility, durability, and reliable 120-ohm AES/DMX signal performance.

  • What length is this SmartWire Lighting Control Cable AES DMX cable sold in?

    All SmartWire AES/DMX cables are manufactured and stocked in a standard 1,000 ft length at Windy City Wire.

  • How is your SmartWire ProAV cable sold — on spools or in boxes?

    SmartWire ProAV cable is packaged in our patented RackPack carton for faster, cleaner pulls and maximum jobsite efficiency. Learn more about our RackPack: https://windycitywire.com/solutions/rackpack-overview

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